demonstration 18 March 2026
Expressive Pastel Painting Demo | Curtis Tappenden Surrey Artist

How to Paint Expressive Pastel Scenes with Confidence (Live Demo Insights from Curtis Tappenden)

Published March 18, 2026 | By CandWAG Community

TL;DR

This live pastel demonstration by Curtis Tappenden reveals a powerful approach to painting: start loose, embrace imperfection, layer colour boldly, and let the material guide you. By combining expressive mark-making with observation and confidence, artists can create vibrant, atmospheric scenes without overworking them. The key is movement, colour relationships, and knowing when to stop.

Curtis Tappenden painting expressive pastel scene at CandWAG demonstration Holmwood Hall Wallington
Curtis Tappenden demonstrating expressive pastel techniques at Holmwood Hall, Wallington

What can a live pastel demonstration teach us about painting?

There's something uniquely powerful about watching an artist work in real time. In this Surrey-based CandWAG art group demonstration, artist Curtis Tappenden blends illustration, fine art, and performance into a dynamic pastel piece inspired by Rome.

Rather than focusing on perfection, the emphasis is on:

  • Energy and movement
  • Responding to materials
  • Building confidence through action
  • Letting go of rigid rules

For artists in South London and Surrey art groups, this kind of demo is invaluable—it shifts mindset as much as technique.

Why start with loose lines instead of detailed drawing?

The demo begins with a bold, linear sketch using pastel—almost like drawing with paint.

This approach works because:

  • Pastel is both a drawing and painting medium
  • Early precision isn't necessary—you can refine later
  • Loose lines create movement and structure

Instead of obsessing over accuracy, Curtis focuses on:

  • Verticals and horizontals for structure
  • Rhythm and flow of the composition
  • Filling the space confidently

This is especially helpful for artists who struggle with perfectionism—a common barrier in creative growth.

How does colour mixing work in soft pastel painting?

One of the most powerful lessons in the demo is how colour emerges naturally through layering rather than mixing on a palette.

For example:

  • Orange layered over blue creates natural browns
  • White softens and blends tones without flattening them
  • Unexpected colours (like lilac in the sky) add life

This aligns with traditional colour theory:

  • Complementary colours create depth
  • Optical mixing happens in the viewer's eye
  • Layering preserves vibrancy better than blending too early

The key takeaway: don't reach for "brown" — build it.

Completed expressive pastel painting by Curtis Tappenden showing vibrant Mediterranean scene with layered colours
Completed pastel painting demonstrating expressive layering and vibrant colour relationships

Why should you avoid over-blending pastels?

A major mistake beginners make is over-blending, which flattens the work.

In the demo, Curtis avoids excessive smudging and instead:

  • Uses directional strokes (especially downward marks)
  • Lets texture remain visible
  • Builds layers rather than smoothing them away

This approach is inspired by artists like Degas and Toulouse-Lautrec, who used visible marks to create energy and atmosphere.

Think of pastel as:

  • Not just colour
  • But texture, movement, and gesture

How do you bring a painting to life quickly?

A turning point in the demo is when darker tones are added—especially in windows and shadows.

This instantly:

  • Creates depth
  • Defines structure
  • Makes the image feel real

Key techniques include:

  • Darkening interior spaces (like windows)
  • Adding contrast early
  • Balancing light and shadow

This is a powerful shortcut for artists: contrast creates clarity.

What role does intuition play in painting?

Throughout the demo, Curtis repeatedly emphasises:

"You must be yourself in your art."

Rather than following strict rules, artists are encouraged to:

  • Respond to what's in front of them
  • Trust instinct over perfection
  • Adapt techniques to their own style

This is especially relevant for neurodivergent creatives, where rigid systems can block expression.

How can you paint people quickly and effectively?

In the second half, figures are added to create narrative and life.

The approach:

  • Use simple shapes first
  • Suggest rather than define
  • Add character through posture and gesture

A key insight:

  • Figures don't need to be perfect
  • They need to feel believable

Practising quick sketches on buses or in public spaces is recommended—something highly relevant for London-based artists.

Why is pastel such a powerful medium for expressive art?

Pastel sits between drawing and painting, offering:

  • Speed
  • Vibrancy
  • Tactile engagement

Research in art therapy shows that tactile materials like pastel can:

  • Reduce stress
  • Improve emotional regulation
  • Enhance creative flow

This aligns with the demo's emphasis on:

  • Movement
  • Touch
  • Material honesty

When should you stop working on a painting?

One of the most important lessons:

Stop before you ruin it.

Curtis explains that overworking often happens when:

  • You chase perfection
  • You add "just one more mark"
  • You lose the freshness

Instead:

  • Step back regularly
  • Reflect before continuing
  • Treat painting as a mindful process

What mindset helps artists grow faster?

The deeper message of the demo goes beyond technique:

  • Live in the present moment
  • Practise consistently
  • Embrace imperfection

With over 38 years of daily drawing experience mentioned in the demo, Curtis reinforces that:

Skill comes from repetition, not talent alone.

Frequently Asked Questions

What paper is best for pastel painting?

Textured paper like Canford or Canson works well because it holds pigment and allows layering.

Do you need to fix pastel drawings?

Not always. Some artists avoid fixative to preserve vibrancy, though it can help reduce smudging.

Is pastel better than watercolour for beginners?

Pastel can be easier initially because it's more forgiving and doesn't require drying time.

How do you avoid muddy colours?

Limit over-blending and layer colours instead of mixing excessively.

Can you use black in pastel?

Yes, but many artists prefer mixing darks to maintain colour richness.

About the Artist

Curtis Tappenden
Illustrator, Fine Artist & Art Demonstrator

Curtis is a professional artist with over 38 years of daily drawing practice, combining illustration, fine art, and live demonstration. His expressive approach emphasizes intuition, movement, and material exploration over rigid technical perfection.

Connect with Curtis:

Curtis regularly demonstrates at art groups across Surrey and South London.

By CandWAG Community ‱ 32 views